Champagne for Breakfast (1980)

They called her "CHAMP"... and she was!

Starring: Leslie Bovee, John Leslie, Kandi Barbour, Bonnie Holliday, Sharon Kane, Blair Harris, Kay Parker - Screenplay by John Hayes - Produced and Directed By Chris Warfield

Chris Warfield's CHAMPAGNE FOR BREAKFAST bubbles with good humor and effervescent sex. As Champagne, a lady exec with a licentious turn, Leslie Bovee goes right to your head. The way she sips semen like it was Dom Perignon could a man pop his cork just watching.

This smoothly-crafted movie has more good laughs than a presidential inauguration, and the performances are more believable. The plot isn't always plausible, but the premise is. A top female executive in an ad agency uses her two-week vacation to do some catching up on her 'homework'. It seems she has been allowing her career to take a back seat, and she wants to rectify that by putting her backfield in motion.


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The picture opens with Champagne's promotion to vice president in charge of merchandising. The boss's daughter (Bonnie Holliday) reminds her of the prerogatives of power: namely, that she can now use her position to get sex from ambitious young men. To illustrate her point, she grabs such a fellow by the dork and makes him dick her on the desk, in front of Champagne.

Ken Scudder, as the embarrassed applicant, or should I say, 'laplicunt' squirms a bit, but comes through. This actor could probably fuck in the middle of a freeway at rush hour. A hard conference table and a three-piece suit pose no

A Taste of Money (1983)

"The Odds Are That Constance Will Return to Films Since Her Name Continues to Stir Enthusiasm Everywhere" - Playboy

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Starring: Constance Money, Blair Harris, Laurie Smith, Sharon Mitchell, Gina Gianetti, Jamie Gillis, John Leslie, Don Hart, Paul Thomas, Jack Kovacs, Mariko Kemo, Judy Abernathy, Angel Nicolet, Carla Pagones, Bambi Snyder, Suzie Walsh

Constance Money (The Opening of Misty Beethoven) is back on the adult screen after an absence of five years. As all good porn fans know, the fresh-faced, vital, captivating Constance is the star who zoomed to fame with her memorable performance in the 1976 award-winning classic The Opening of Misty Beethoven. Constance retired to private life after making a few more movies, but the continuing popularity of Misty and the praise she received for it finally induced her to come back. Produced by Mike Paulson, A Taste of Money is supposed to be the true life story of her return to erotic movies. Almost true, anyway.

Teamed with Constance in A Taste are top adult film stars John Leslie and Jamie Gillis, who along with Sharon Mitchell give Connie advice as she ponders the offer of an eager producer (Paul Thomas) to come back to the X-rated scene. The plot gets rather complex. Constance gets advice from her friend Sharon, while a masseur works her over.

Sweet Dreams, Suzan (1979)

MS. PETTY IS A CONFIDENT, AGGRESSIVE SEXUAL DYNAMO!

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Starring: Rhonda Jo Petty as Suzan also starring: Brooke West, Blair Harris, Dorothy LeMay, Laurien Dominique, Sharon Kane, Star Would and Penelope Jones

To make a good sex film you need a good premise, one that gives the characters in the story a reason for full-tilt fucking. Some of the more familiar devices are: aphrodisiacs, hypnotism, 'magic' talismans that make the wear unbearably horny, sex machines, nymphomania - these are a few of the reasons characters may have jumping into bed and going at it hammer and tongs.

These gimmicks are useful because the performers can pull out all the stops in the sex scenes. If, on the other hand, the set-up has built-in conflict - if, for instance, the guy is trying to bed a woman who is unwilling, angry, or indifferent - the players can't really bust loose.

SWEET DREAMS, SUZAN, with Rhonda Jo Petty in the title role, has a premise that lets everyone in the picture get down as deep and dirty as they want. The sex scenes are dreamed by the leading lady, and as dream characters the performers are not bound by reality. They do what they want, with the result that the sex in this film is intense and the involvement appears genuine.