Interview: Lisa De Leeuw

Fans and critics rate her as being one of the most voluptuous stars of the silver screen, her huge mellon-like juggs being among her many sexual assets.

LISA DE LEEUW: THE ALL PLEASURE GIRL PROCLAIMS

"I won't do anal - by choice," says luscious Lisa De Leeuw, numbered among pain's most popular performers, and its most excitingly voluptuous scar. "Ass fucking," the lovely redhead puts it bluntly, "is a pain in the ass - and I'm definitely not into pain of any kind."

And while Lisa will do practically anything sexually, if the story calls for it, she draws the line on doing anything that is not pleasurable. For that reason, Lisa also balks at fist-fucking, because of the discomfort involved, and sado-masochistic scenes with whipping, torture, nipple-pinching, vaginal=piercing and hte like. "I think there's enough pin in the world as it is, and you don't have to take it into the bedroom with you."

Still, great trouper that she is, she makes the S&M scenes in movies like SKINTIGHT, or the anal shots in the recent DIXIE RAY, HOLLYWOOD STAR and LUSCIOUS (Chuck Vincent is sitting on this one) come excitingly alive with her frenzied all-round sexuality.

Take SKINTIGHT, a foreskin-tight saga that multi-climaxes into a sado-masochistic orgy: Most of the climaxes were generated by or directed toward Lisa DeLeeuw - and she wasn't even the star (Annette Haven was). Here's Lisa, in black fishnet costume framing her massive boobs and rosy bush, on her knees sucking off two men simultaneously. One of the cocks, belonging to Paul Thomas, is chained to his neck. The other belongs to a man dressed in black leather. Both cocks are inside Lisa's mouth, a feat of oral expertise typically Lisa's. As Lisa sucks the twin pricks, Paul wraps his cock-chain around her neck, binding her to her task. Lisa wraps her laser tongue round the men's cocks, making them explode, covering her face in sheets of cum. Lisa licks the surplus cream from the men's spurting pricks and cries for more.

LISA: "I don't particularly like cum all over my face, but it's what the producers want and it makes a good scene. But I love giving head! It makes me feel powerful - to be able to control it. Because basically, I'm not really a forceful person in bed. I'm very passive, kin of 'OK< whatever you want...' But sucking a man's cock, that gives me a sense of real power. And two cocks are better than one."

Later, in the dream sequence, Lisa sucks off another man while Paul Thomas wraps his chain round her neck and fucks her apparently in the ass.

Interview: Sue Nero

One of the women most responsible for the success of uninhibited coupling, inspired oral artistry, and general carnal mayhem in porn films is Sue Nero, and her fans love it! The furious, animal energy of her sexual antics produces an almost unbearable tension. What Sue Nero seems to be saying sexually is that fornication is never sinful when you're having fun, and especially when there's financial compensation for doing something that gives you so much pleasure. Her style of seduction is  wild sexual abandon, recklessly orgiastic in its skillful execution. Whether she's giving head or getting piped, Susie knows how to look exciting, how to appear totally entrenched in whatever role she's playing.

Oddly enough, the big-boobed brunette has yet to be featured as a lead in a movie, a fact that disappoints both the native New Englander and her adoring fans. Her work in the raunchy loops for the Diamond Collection and the Pretty Girls series offers overwhelming evidence that this shapely cooze queen can bump and roll an a weiner with the best of bimbos. You'll probably recall her slutty slurpings in such recent fuck-a-thons as The Widespread Scandals of Lydia Lace, Ball Game, Garage Girls, and Casting Couch. Sue Nero heats up the screen with a white-hot method of erotic acting that firmly grabs true porn aficionados in the crotch, then leaves them rock-hard and throbbing. Openly wanton, she's definitely a hard worker, whether in the saddle or underneath it.

The following CAV interview with Sue reveals her to be a boldly frank yet deeply sensitive woman intrigued that bizarre combo of immorality and romance. She enjoys male company, feels at ease with it. She is consequently able to talk about absolutely anything!

CAV: Say something about the humble beginnings of Susie Nero, porn star. What's your background?

SUSIE: I'm from a little town outside of Boston. I grew up in a strict, middle-class family. My parents were very uptight while I was growing up, which is probably why I'm so wild today. I wasn't allowed to go out with boys until I was 16. I was very athletic in high school, competing in all kinds of sports, and a varsity cheerleader as well.

CAV: What kind of girl were you in high school?

Interview: Serena, Queen of Kink

Staying Saucy in Sausalito

The retired Queen of Kink regales our editor with lustful tales of yore.

Serena... the chameleon should be her horoscope sign. While porn devotees recognize her pictures, and many recognize her in person (as she describes in this exclusive interview), they are hard to put to actually describe her. Her hair, naturally honey blonde, has been platinum, red, black, and a multitude of shades within. Her figure has ranged from quite slim and boyish to big boobed and well rounded. She has played the All American girl type to perfection, as well as the kinkiest harlot. Serena was one star who refused to be pigeonholed or typecast. She tried everything at least once, she swore, and detailed a number of titillating adventures for our readerships delight. Her wild nights in New York, her notorious affair with Jamie Gillis, her mysterious illness, her retirement from "the business". All these areas are spread wide open for your reading pleasure.

CAV: To start things off, I should mention that I'm somewhat in awe of your reputation. Your reputation is that of "The kinkiest woman in porn".

SERENA: Oh no!

CAV: But you know that?

SERENA: Well, I have all kinds of reputations. I just know that I'm infamous. (laughter)

CAV: Is that reputation accurate? Do you deserve that reputation?

SERENA: Well, I'm a pervert, I'll tell you that up front. I'm very much a rebel. During the sixties, even though I was very young, I was very anti-establishment. And just to be in the porn field takes a certain amount of rebellion.

CAV: I agree. Why do you think I'm doing this?

SERENA: As far as being the kinkiest, I've tried just about everything possible, not always on film, but most of it. I played around heavily and found, after six years in the business, true love and a domestic scene. And I'm real happy and sort of straight again. So it was a one=way kind of period in my life, where I was real promiscuous, trying to find what I needed for my soul. It was pretty wild, for sure!

CAV: How old are you?

INTERVIEW: Sharon Kane

AN INTERVIEW WITH SHARON KANE

It's not often that you meet as refreshing and candid a person as Sharon Kane. Armed only with a small tape recorder, our eager emissaries hurried off to the preordained meeting spot - and proceeded to talk and talk. In fact, this transcript has been whittled down to an acceptable length; they talked for hours and hours and hours. Luckily, from the reels of the tape, we have managed to preserve for you the liveliness and forthrightness of the initial interview, cutting only those lengthy parts where food was ordered, hairstyles were pondered, drug habits were argued interminably, friends joined in unexpectedly, etc. What you have here is the nectar, the core of the conversation.

You'll notice that Sharon's personality emerges from the page almost immediately. Her startling attitude about sex is liberating and intelligent; her association with the mysterious church of Venus will surprise you; her positive, no frills attitudes towards life will delight you. You can see her in the upcoming Henri Pachard film, The Widespread Scandal of Lydia Lace, as well as The Playgirl, where she has a torrid sex scene with George Payne. Bright, cheerful, and healthily sexual, Sharon Kane is a refreshing and charming new friend.

CAV: Why don't we start by you telling us what movies you have been in?

Sharon: The first movie I made was "Pretty Features" the very first one.

CAV: "Pretty Features" ... it was a big movie, right?

Sharon: My very first starring role. Then there was "Fantasy World".

CAV: You've been in a lot of them?

Sharon: Yeah.

CAV: Have you played the lead in any films?

Sharon: "Expose".

CAV: Have you done much of your work out in San Francisco?

Interview: Gerard Damiano, The Satisfiers of Alpha Blue

HUSTLER'S HIGHEST RATING!

Starring: Hillary Summers, Jean Damage, Maria Tortuga, Lee Carroll, Annie Sprinkle, Tiffany Clark, Coral Cie, Ted Devine, Bill McKean, Ron Hudd, Sharon Mitchell and Lysa Thatcher

Gerard "Deep Throat" Damiano has just finished another epic. This one is called The Satisfiers of Alpha Blue, and I'd like to tell you about it - or rather, I'd like him to tell you about it if you can wait for just a few paragraphs.

The Satisfiers of Alpha Blue is a really hot picture about sex in the 21st century and you'll be happy to hear that romance as well as sex survives, too. Alpha Blue is a space-age sexual resort where dreams are carried out with the push of a button. Want a playmate - or two, or three - or just a hot voice to talk you off? Just punch your fantasies into the teleporter, and your wishes come true. Don't you love it already? Some of the erotic cinema's loveliest ladies materialize out of thin air - Lysa Thatcher, Hillary Summers, Annie Sprinkle, Jody Maxwell, Tiffany Clark, Lee Carroll and Sharon Mitchell all "beam in" to satisfy future fantasies aided by  nearly a dozen other yummy gals.

Alpha Blue takes its sex seriously. The Satisfiers - the hosts and hostesses of this erotic resort - are carefully trained for love-making. Through Damiano's loving direction and exquisite close-up photography, you'll watch the Satisfiers practice their arts with enthusiasm rarely seen on screen. Even the credit sequences are wetter and wilder than most films' hottest scenes!



Now, for some inside dirt - I knew this flick was hot even before it hit the editing table. For one thing, our own sex life was FANTASTIC during the actual shooting. I mean, it's always fantastic, but those 12-hour shooting days take their toll. Not this time, though - I thought Damiano was having a second puberty! Then, there were all those new romances happening everywhere we looked.

Tiffany Clark flew in from her native Los Angeles for the film, and fell madly in love with one member of the production staff, Fred Lincoln. (Lincoln is a filmmaker in his own right - his Same Time, Every Year will be released soon.) Anyway, Tiffany never quite made it back to L.A., and she's now happily sewing curtains for their new apartment here in New York. Ain't love grand? Then there was Jody Maxwell, who fell in love with the whole crew - and them with her, of course. It's rumored that more than one technician lost his heart, too, when Jody performed "I Left My Heart In San Francisco", demonstrating why they call her The Singing Cocksucker from Kansas City. Last but not least, Annie Sprinkle rang up professional dominatrix Queen Adrena in California, and borrowed the Queen's personal slave, Mal O'Rey for the lovingest leather-and-golden-shower scene ever filmed. Annie and O'Rey became great and good friends thereafter.

With all this loving going on off the set, you just gotta know that things stayed hot on camera. The vibes were right, and the final product shows it, like nothing else you've ever seen. Damiano says The Satisfiers is the most erotic film ever made.

PAULA: What makes The Satisfiers of Alpha Blue different from your other works?

GERARD: I don't think it is different - but it's a culmination of all my other films. The Satisfiers is based on the premise of a future society in which sex is completely open and without guilt - and what would happen in that environment. so the film is really a blending of everything I've done before.

PAULA: What's your favorite scene in the film?

INTERVIEW: Laurien Dominique

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Interview: Desiree Cousteau

Desiree Cousteau is one of the best known beauties in the X-rated world. Her classic figure has devastated audiences nationwide since her debut in PRETTY PEACHES, on through her appearances in PIZZA GIRLS, DEEP RUB, and INSIDE DESIREE COUSTEAU. In all her films, Desiree projects a naive charm and a natural sexuality that have gotten her labeled the "Girl Next Door of Hardcore". a sort of Little Annie Fanny, perpetually falling prey to dirty young men and her own libido.

She's successfully parlayed her screen popularity into a hot strip act too and is one of the most accessible porn stars because of her willingness to travel to smaller burlesque houses around the US and Canada. It was during one of these engagements, at New York's Melody Burlesque that Desiree announced she was leaving films. Fans and industry alike mourn her loss and we thought we'd take this last opportunity to find out where she came from, before she's gone, and why she wants to leave all this.

CAV: How did you get into hardcore films?

DESIREE: I was a go-go girl. Then I met Alex deRenzy and he asked me if I'd like to be in a movie. That was PRETTY PEACHES, the first film I did. It was delightful and I loved every minute of it.

CAV: Were you always into sex?

DESIREE: Well, when i turned 17 all of a sudden one day I discovered sex. And that was it. I didn't do everything at one time, I kind of eased into it. But I did do all those things at a pretty tender age. I started making movies around 23.

CAV: On the whole, has making films been a good experience?

DESIREE: Oh yeah. I learned things about myself I'd never have learned otherwise.

CAV: Which film would you consider your best?

Interview: Juliet Anderson [Aunt Peg]

 One of the most refreshing additions to adult films in the past few years has been Juliet Anderson. After being bombarded with a multitude of busty beauties who become faceless after a time, Ms. Anderson's worldly, more experienced craving for sexual fulfillment comes as a nice alternative.

In less than four years, Juliet's torrid performance in Swedish Erotica's AUNT PEG series, as well as two highly acclaimed flicks, SHOPPE OF TEMPTATIONS and VISTA VALLEY PTA, have earned her a reputation as a penis-hardener and vagina-twitcher. Juliet does it all, she does it well, and unlike many past and present erotic stars, she can get up off the bed, take a shower and assume an identity as a psychiatrist, lawyer, or surgeon without losing any credibility. Time and again she has proved that taste ass well as tit can be a turn-on.

Lately Juliet has taken up directing. Her first full-length effort behind the camera was EDUCATING NINA, recently released by Superior Video in San Francisco.

CAV: There has recently been some debate over how best to describe the explicit action that's the core of adult films. Descriptions range from making love, to having sex, to fucking. Do you apply labels to your various erotic experiences both on and off the screen?

JULIET: First of all, making love is just semantics, the words we use. In my vocabulary there is a difference between making love, having sex and fucking. Now there are times where I'm having sex, I'm not making love. Which doesn't lessen the value of it. But it's somebody that I don't know, it's almost like Erica Jong's "zipless fuck" in the train - the mind-blowing, incredible orgasms and nobody is hurt. It's so exciting and it's a matter of sharing. Sometimes you get more, sometimes somebody else gets more.

As far as making love, this presupposes a relationship. Certainly in most films, there are very few relationships. Most of the time somebody drives down the street and sees a girl with a 38-D cup and says, "Hi ya, baby!" And she runs over to the car and says, "Oh! Look at that bulge in your pants, I'll bet you've got a great cock!" And he says, "Jump in" And they're making it right there. Well, that does happen. And I know that I personally involve myself in my private life in things like that every once in a while. It's like a hot fudge sundae - something you like occasionally but not all the time.

Interview: Rachel Ashley

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Interview: Seka Talks Dirty

The fabulous Seka needs no introduction to fans of porno movies. One of the true superstars of the erotic film industry, she has been called the quintessential pornstar. Her highly charged blonde sexuality is envied by women and lusted after by men. Her films include Blonde Fire, Inside Seka, My Sister Seka, Prisoner of Paradise, Any Time, Any Place, Erotic Interlude, F... and lots of it and Princess Seka.

This writer had been trying to interview Seka for two years, and finally caught up with her a few months ago in San Francisco, where she was making some videos. Our extremely intimate interview was conducted at Trader Vic's Restaurant.

ClassicAdultVideo: You're big box office in the X-rated film and television market, aren't you?

SEKA: I've done a lot of X-rated films and video cassettes. I've been around the block, you might say. The films and video, for the most part, have been good (laughs). There are too many to name... You've probably seen some of them. Do you masturbate watching my films?

CAV: I have... (laughs) Inside Seka was one of my favorites. And do you enjoy masturbation?

SEKA: I enjoyed that film (Inside Seka). Yes, I masturbate. I believe any sexually healthy woman masturbates. You fantasize about your man when he's not around, or about a lover you've never had. I like sticking a big fat dildo up my vagina and fantasizing. It's good for my head. Most of the women I know masturbate, and I bet a whole lot of women masturbate and just don't talk about it. I started masturbating in my early teens. I get fan mail from my men fans, and they say they jack off while or after watching my films. You should read some of my fan mail. It's wild! but that's why I asked if you jacked off (we laugh).

CAV: Do you love to talk dirty, Seka?

Interview: Bridgette Monet

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Annette Haven On How I Give Head

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Interview: Rhonda Jo Petty

Rhonda Jo Petty, "The Farrah Fawcett" of Porn?

CAV: You rose to fame as "The Farrah Fawcett" of porn. Did you ever meet Farrah?

RJ: No, but I've gotten letters from her. I don't think she likes me.

CAV: She actually took the time to write you?

RJ: Oh, sure. She threatened to sue me for that first movie, "Little Orphan Dusty".

CAV: How could she sue? All the publicity said was that you were a Farrah look-alike.

RJ: They were using her name. So she threatened litigation, but it never got to court. I think the smartest thing she ever did was not sue them. When Cheryl Ladd sued "Taxi Girls", they had to take her name off the poster.

CAV: And "Dusty" was a big hit and got your name and Farrah's on a lot of marquees... But the truth is that you don't look anything like Farrah.

RJ: No, I don't. I never thought I did. But my hair was real long back then and that hairdo was "in" and the gimmick worked. Do you realize that was almost ten years ago!

CAV: You started out as a magazine model...

RJ: I did a lot of bookstore work at first. Hardcore. Then I got into "Velvet" and "Hustler". Hustler started the whole Farrah look-alike business. They shot me looking like Farrah - but she was suing them over a dirty

Interview: Nina Hartley

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Interview: Bambi Woods

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Marilyn Chambers

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Interview: Samantha Fox

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Annette Haven Interview

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Kay Parker Interview (1984)

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Georgina Spelvin Interview

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